The event was a great success, bringing together a wide range of artists and academics from music, spoken word, performance & beyond, and explored the possibilities of, the future of language, being, non-being, perception, listening and performativity.
MC for the night was Waywords & Meansigns project director, Derek Pyle, who navigated us through not only Joyce’s idiosyncratic text but the performers take on it.
Performers for the night (See biogs below):
Amy Neilson, Bob Kesh, Simon Ross, Krzysztof Bartnicki, Ollie Evans & Eleanor Massie, Conspirators of Pleasure, Neil Campbell, Waywords and Meansigns project director Derek Pyle. Expect ventriloquism, swazzling, voice synthesis, whispering and more.
Waywords and Meansigns is an internationally acclaimed project, setting James Joyce’s seminal and experimental novel “Finnegans Wake” to music.
The event was broadcast live on www.awdio.com you can listed to the audo below.
Video of a free-improv set with audience participation that followed the evening.
Running order of the night:
Amy Neilson Smith is currently Poet in Residence at Joseph Clarke Foundation for the Blind and a performance poet and Associate of Brainfuit (Arts Council). Publications include Dark Matter (William Cornelius Harris Publishing), Loose Muse (Morgan’s Eye Press), Soul Feathers Anthology (Indigo Dreams Publishing) and is the Patron of Playerist Literary Magazine.
Bob Kesh – A poet, novelist and musician from London. His work can be found on Kerosene Chronicle Literary Blog where he is co-founder, editor and a contributor. His poetry and short stories have recently been published in the Roehampton Writing Society Anthology. www.kerosenechronicle.com
Simon Ross releases solo music with Dead Sea Liner Records under the moniker cel. He contributed to the second edition of Waywords and Meansigns as a member of the group SIKS. https://soundcloud.com/simon73 https://soundcloud.com/vulture-speak
Krzysztof Bartnicki is best known for translating Finnegans Wake into Polish, a project which took ten years and was subsequently published by “Ha! art as Finneganów tren”. Krzysztof also created two musical scores based on Joyce’s text, “Da Capo al Finne” and “Finnegans _ake”. Krzysztof is responsible for the book “Fu wojny”, which deals with issues of translation. https://soundcloud.com/gimcbart
Ollie Evans is a poet and performer from London. He recently finished a Phd on the “Performance of Finnegans Wake” at Birkbeck College, University of London. From 2008-2011 he made performances with his group, Dummy Company, which pursued a combination of puppetry, object theatre, sound-art, language games and experimental ventriloquism.
Conspirators of Pleasure (Poulomi Desai and Simon Underwood) are an improvising duo that seek to bend all the rules, question the sacred & create extraordinary soundscape performances using modified and prepared instruments. More here: www.conspire.org.uk
Neil Campbell has been active on the lunatic fringe of the UK’s underground music scene since at least 1979. A noted solo performer and a core member of groups such as Vibracathedral Orchestra, A Band and Astral Social Club.
Finn Fordham, a noted University of London Joyce scholar, calls Waywords and Meansigns a “wonderfully innovative project… rich and various, surprising, amusing, weird”.
This event coincided with the XXV International James Joyce Symposium hosted at Senate House, University of London, 13-18 June 2016.
“We always knew Finnegans Wake was really just a wild psychedelic concept album that got trapped in a book. Well, it’s been freed.” Stew, the Negro Problem
“Waywords and Meansigns is one of the most meaty and brazen musical responses to a piece of literature I know of, in part for its vast scope but more so for the gravity of its subject: Joyce’s epically inscrutable Finnegans Wake.” Chris Rael, Church of Betty and Araby composer
Featured in The Guardian: http://www.theguardian.com/books/booksblog/2016/feb/02/finnegans-wake-music-james-joyce-birthday
Listen to the entire project here: Waywords and Meansigns